We meet Daisy the moment she is born in 1905 and follow her life until it ends sometime in the 1990’s. The book reads almost like an in-depth memoir, except that other perspectives (or versions of Daisy’s story) keep breaking into the narrative. Shields also chooses the third person, even when we are reading Daisy’s thoughts, which keeps just the right amount of distance between the reader and the characters.
Without being any sort of feminist track, the book is very much a woman’s story of the 20th century. For the most part Daisy takes the “traditional” path, but that doesn’t mean her life is without drama. “Orphaned” at birth, shuffled from Canada to the United States, widowed early and long-lived, Daisy faces each phase of her life searching to fill the void of her inner loneliness.
“We accept, as a cosmic joke, the separate ways of men and women, their different levels of foolishness…Men, it seemed to me in those days, were uniquely honored by their stories that erupted in their lives, whereas women were more likely to be smothered by theirs.”
Shields has such a light writing hand, I felt more like I was peeking in on Daisy’s life even though I was fully immersed in every thought and action. That’s a tricky balance and Shields handles it beautifully.
“In the middle of writing a check she forgets the month, then the year. She’s gaga, a loon, she’s sprung a leak, her brain matter is falling out like the gray fluff from mailing envelopes, it’s getting all over her furniture.”
This is my second Shields novel, and again I am reminded how sad it is that her life was cut far too short by cancer.
Cover image uploaded from Goodreads